Maude - "Maude's Guilt Trip"

Season 6, Episode 1

Original Airdate: September 12, 1977

Writer: Charlie Hauck

Director: Hal Cooper

Executive Producers: Hal Cooper, Rod Parker

Cast: Bea Arthur, Bill Macy, Adrienne Barbeau, Rue McClanahan

People don’t talk much about “Maude” anymore, do they? Though well-liked throughout most of its run, in recent years its popularity has been eclipsed by the show it spun out of (“All in the Family”) and star Bea Arthur’s other iconic comedy (“The Golden Girls”). And what a shame that is, because for my money “Maude” is better * gasp! * than both of those sitcoms.

The show centers on Maude Findlay (Arthur), Liberal with a capital “L” and currently married to her fourth husband Walter (Bill Macy). While “All in the Family” mocked its bigoted hero Archie Bunker while simultaneously humanizing him through his faults, “Maude” had a more interesting trick to play: Maude considered herself one of the educated, cultural elite who was consistently faced with the foibles of everyday life, tried to rise above it, but (usually) ended up surrendering to her more base emotions. As an audience, we see parts of ourselves in Archie, sure, but I see a lot more of myself in Maude. A similar version of this would be used to huge success first with Sam in “Cheers” and later with Fraiser in his self-titled spin-off.

The show also took one hell of a lot of risks, more than probably any other in history. Even if you’ve never seen the show, you’ve probably heard about the infamous abortion episode, which unfortunately doesn’t hold up today. But there is so much more. At some point every major character abused prescription drugs. An entire episode focused on Maude trying to buy a bag of pot. Walter became an raging alcoholic who slapped Maude onscreen. Later he went bankrupt and attempted suicide. Maude struggled with what, in retrospect, appears to be bipolar disorder. In one episode Maude hired a black maid (Ester Rolle, who spun her Florida character off into “Good Times”) because she had white man’s guilt. And in a fantastic tour-de-force, Arthur performed a one-woman-show for an entire episode as her character quietly came apart at the seams in a therapy session. You simply can’t get away with stuff like this today, even though for my money sitcoms would be served well to be a lot more topical and risk-taking. Oh, and I should note that, even though the above events are really “heavy” in content, the show still managed to be really damn funny, even in its darkest moments.

“Maude’s Guilt Trip” is, for me, the high point of the entire series, and shows all its characters reacting to the “death” of a most hated relative. Everything action, reaction and line of dialogue showcases moral ambiguity taken to most hilarious extremes.

The episode begins with Maude preparing for the arrival of her loathed Aunt Tinky (“Her tea kettle doesn’t whistle, it whines”). Maude has bought her a plane ticket on a crappy puddle-jumper, but her mind is focused on wanting to take a trip to Rome. As a way to make Maude feel guilty, Tinky purchases $50,000 worth of life insurance in Maude’s name before she gets on the plane…and then the plane crashes.

Arthur’s performance throughout the episode is tremendous, a perfect balance between the meaningful words coming out of Maude’s mouth and the dollar signs spinning in her eyes. All Maude really cares about is getting the best trip to Rome possible, but she must go through the motions of seeming upset that this horrible person is dead, especially in front of her daughter (Adrienne Barbeau) and best friend Vivian (Rue McClanahan. Yes, THAT RueMcClanahan. Seriously, you should be watching this show).

Here’s a little sample of how brilliantly writer Charlie Hauck toes the line between humanity and selfishness:

Maude: “We could make (the trip to Rome) a pilgrimage in Tinky’s honor.”

Vivian: “Was she Catholic?”

Maude: “What the hell is the difference?”

Just as Maude finally makes peace with her “emotional reaction” to Tinky’s death and begins to behave normally again, Hauck pulls the rug out from under the characters in a brilliantly executed twist: Vivian’s husband Arthur (Conrad Bain) arrives with the news that there is a lone survivor who has crawled out of the rubble and is fighting for survival in the woods where the plane crashed.

The thought that Tinky might be alive becomes secondary to the thought that the trip to Rome is now in question, even though Maude tries to pretend that her priorities are just the reverse. She desperately attempts to keep the moral high ground even though there is none to stand on, and even though no one around her is really judging her. Watching Arthur spiral out of emotional control is one of the great joys in all of comedic television, and her meltdown here is one for the ages.

Then there’s yet another twist, one I’ll let you discover for yourself, since I’m pretty sure you haven’t watched the episode. It’s worth noting that this is the first episode of the show’s sixth and final season, and to see the sitcom still firing on all cylinders this late in its run is wonderful. Despite the heavy writer turnover throughout “Maude’s” run (like many sitcoms of its time), the show was consistently good, often great, and allowed its characters to learn from their mistakes and stumbles – a rarity in a genre where keeping things status quo is the norm.

All this, and yet only the first season of “Maude” is available on DVD, and there don’t appear to be any announcements of the other seasons forthcoming. Such a shame, because this show feels perhaps even more timely and button-pressing today than it did when it first aired. Arthur remains a treasure, and fans of “The Golden Girls” would adore this sitcom because the characters are so similar. Here is a show that still has something to say to modern audiences, and yet that audience is having one hell of a time finding it.

“Maude’s Guilt Trip” is only available on YouTube.

30 Rock : "Believe in the Stars"

Season 3, Episode 2

Original Airdate: November 6, 2008

Writer: Robert Carlock

Director: Don Scardino

Executive Producers: Tina Fey, Lorne Michaels, Robert Carlock, Marci Klein

Cast: Tina Fey, Alec Baldwin, Tracy Morgan, Jane Krakowski

Every television show can land a guest star, but only a few know how to use them. “Believe in the Stars” was produced at the zenith of “30 Rock’s” popularity (this is a relative term since, though it was always a critical and pop culture darling, it never lit up many Nielsen boxes) when some of the best popular and character actors out there were regularly appearing on the show. Oprah Winfrey was the special guest star here, and the next few episodes would feature Jennifer Aniston, Steve Martin, Elaine Strich and Salma Hayek in roles just as engaging and memorable as anything they could have found on film or stage.

Winfrey appears as herself in the episode, sort of. Liz Lemon (Tina Fey) must fly quickly to Chicago to get out of jury duty (by pretending she is Princess Leia) before “TGS” implodes for the umpteenth time. Turns out she is seated next to Oprah Winfrrrrrrrrrrrrrey (and yes, her classic vowel elongation is poked fun of early and often) on the flight back, which of course triggers immediate and complete overshare, made all the funnier because I’m pretty sure everyone would do just about the same thing in the situation.

Though it got off to a rocky start, “30 Rock” quickly became one of the most consistently great comedies on television, and has remained that way since (its seventh and final season begins in the fall). The show is certainly an odd, eccentric duck even considering what other modern comedies have hit the air in the past decade. Part of this is because it carefully toes the line between screwball, emotionless humor and more grounded, heartfelt storytelling. The Jenna (Jane Krakowski) and Tracy (Tracy Jordan) stories and subplots often fly off into space tonally (Jenna decides to marry a prince so disfigured he has ivory hands, Tracy decides he wants to go into space…right now), but the friendship between Liz and Jack (Alec Baldwin) gives the show its heart, pulling us back and making us care no matter how crazy the shenanigans get. 

This episode is one of the funniest in the show’s history, with writer Robert Carlock supplying viewers with a steady stream of quotable quotes. Like this one:

Tracy: “I watched ‘Boston Legal’ nine times before I realized it wasn’t a new ‘Star Trek’.”

Or this one:

Jack: “Did you know President Bush’s approval rating was almost as high as 15 percent following the Olympics?”

Shut up! Okay, one more:

Jenna: “How can you defame someone who was arrested in three Chucky Cheeses?”

The Winfrey scenes in particular merit multiple viewings to even begin to even get all the gags. In the entire 21 minutes, there is only one (one!) joke that doesn’t quite land (a late one involving Kenneth that doesn’t merit being written here because the rest are so good). More than that, Carlock was brilliant in the way he bled Winfrey’s presence into the subplot involving Jenna and Tracy bickering over who has it harder in America, women or black men.

Both call Liz while she is on the runway to talk about how they are right. Tracy screams into the phone:

“It’s about race! It’s about being a woman! It’s about money! And being on TV! No one understands all that!”

At that exact moment, Oprah sits down next to Liz. Perfection. This being “30 Rock,” Carlock takes the battle to the extreme, putting Jenna in black-face and Tracy in white-ish face (with a hand-claw because they ran out of make-up).

The twist that comes later is that Liz was in a drug-induced haze and hallucinated that Oprah was a feisty tween (if only my hallucinations were half as fun), which gives the entire sequence on the plane another layer of humor. At first, it just seems as if Oprah is mocking herself (and, of course, she is), but the twist gives Carlock the opportunity for even more gags later when Liz remembers all the things she really Really REALLY should not have done (like showing her boobs or forcing wine on the girl). Because I love you, dear reader, I’m going to provide you with the genius word vomit Liz unleashes on “Oprah” the moment she sits down. 

“I’m trying to adopt a baby but my job is making it impossible because my work-self is suffocating my life-me. I’m Liz Lemon and I lost my virginity at 25. I saw the show about ‘Following Fear’ and it inspired me to wear shorts to work. It didn’t go great. Do you know Tracy Jordan? Meh, I took a pill earlier. I didn’t get my September issue of ‘O Magazine’ do you have the number for subscriptions? Haha, why would you? Blah! I eat emotionally. One time at summer camp I kissed a girl on a dare but then she drowned! Aaaand here comes some more stuff. I hate my feet, and one time I had a sex dream about Nate Berkus but then halfway through he turned into Doctor Oz. Has that ever happened to you?”

Tired from her monologue.

Any one of these lines would have been enough to make the show memorable, but schmushed all together into one fantastic monologue is enough to make the episode a masterpiece. But then there’s another yet to come, where Oprah sends up her “Favorite Things”:

“Here, try this. It’s salt water taffy from Rhode Island. I have so many wonderful favorite things this year. Sweater capes, calypso music, paisley tops, Chinese checkers, high heeled flip flops that lift your butt and give you a workout.”

The list is funny already, but later becomes even funnier when we see Liz and other “TGS” employees wearing the high-heeled flip-flops (which, apparently, do exist outside the episode). Carlock has written some of the best episodes of the series “Apollo, Apollo” and “Today, You Are a Man” come to mind), and seems to approach the series with a “no amount of jokes is too many” mentality, which suits “30 Rock” and its fast-talking cast wonderfully. At times it can feel like “Bringing Up Baby,” in the best possible way.

When I watch an episode of “30 Rock,” I never feel like I’m being talked down to. The dialogue is fast and furious, but it’s also smart. The plotlines are interesting even if you are over the age of ten, and it’s not afraid to throw in archaic references that you may or may not understand…because if you do it’s still damn funny. It’s the little show that could, and has already earned its place on the shelf next to other classic workplace comedies like “Cheers” and “The Mary Tyler Moore Show.” All that and Oprah Winfrey? What more could you ask for in a show? 

“Believe in the Stars” is available on the third season DVD of “30 Rock,” on Amazon Instant Video, iTunes and is probably being re-run on Comedy Central right now-ish.