Original Airdate: May 16, 1995
Writer: David Lloyd
Director: James Burrows
Executive Producers: David Angell, Peter Casey, Kelsey
Grammer, David Lee, Christopher Lloyd
Cast: Kelsey Grammer, Jane Leeves, David Hyde Pierce,
Peri Gilpin, John Mahoney
“The Innkeepers” is a classic example of a slow-burn
sitcom episode, but transcends most others because its mechanics are so
well-hidden. In many respects, the viewer doesn’t even know he is being set up
for the explosive finale until the payoffs actually happen. This is because the
clues are so well-hidden and because they are all draped in humor that actually
works. In “The Wizard of Oz,” one of the classic lines is “Pay no attention to
the man behind the curtain!” Here, we don’t see the man or the curtain because
we are having too much fun watching the show.
The premise couldn’t be simpler: Frasier (Kelsey
Grammer) and Niles (David Hyde Pierce) decide to buy a restaurant. Their father
(John Mahoney) tells them it’s going to wrong, and they don’t listen. Chaos
ensues. If the idea of the brothers doing this sounds a little farfetched, the
show’s writer David Lloyd must have known this, and spends an entire act making
the purchase a realistic venture. After learning Orsini’s Restaurant is closing,
the Niles waxes lyrical about how he had happy childhood memories there, and
they decide to make one more family trip, complete with Daphne (Jane Leeves),
to reminisce. They use logic to convince themselves to buy – after all, the
eatery is in a prime location, and a head chef at a rival restaurant is unhappy
there, etc. One could almost be convinced that this is a good venture (Frasier:
“I’ve always wanted to own a four-star restaurant.” Niles: “What growing boy
hasn’t?”), though Martin gets a few great zingers in before the deal is done.
We shift to opening night, and that’s where the show
hits its stride. “Frasier” never talked down to its audience, though its
characters often found themselves talking down to those they encountered, and
here Lloyd ensured that every calamity felt natural and understandable, given
the circumstances. After all, can you really blame Frasier and Niles for not
knowing which swinging door is “in” and which one is “out”? And instead of
allowing the situation to dovetail into some sort of rivalry between the
brothers, which would have been so easy and done by most lesser sitcoms,
there’s only one small beat where Frasier insists on a large soufflĂ© dish and
Niles wants small, individual ones.
Now for the build-up to the explosive payoffs. In every
scripted film or television show worth its salt, writers plant small hints as
to what’s coming early in the episode so that when the payoff happens, it makes
sense logically. Look at twist in “The Sixth Sense” as a perfect example of a
dozen clues hidden logically in plain sight that take on resonance when the
finale happens. Here, the set-ups are disguised well because they are in the
form of jokes, and they all land, making you think that’s the end of it. The
character of Otto is set up as a probably-senile waiter in the restaurant, and
when Frasier and Niles take it over, they turn him into a valet because they
don’t want to let him go. Frasier carries around a walkie to call down to Otto
and have him drive the valet cars to the entrance, and every time he calls back
“Who is this!?” We think that’s the punchline, and the fact that it recurs
makes it even funnier because Frasier gets more and more desperate every time
he speaks to Otto. It is never, ever, ever, ever implied that Otto should not
be behind the wheel of a car. If that were even hinted at in a line, the twist
of climaxing the episode by having Otto drive a car through the wall would have
been spoiled. It’s funniest sitcom car crash in history, rivaled only by this one from “Everybody Loves Raymond.” And yet, as the car goes through that wall,
it makes complete logical sense and is all the funnier because it is genuinely
surprising.
The pacing of the episode is brisk and the director,
James Burrows, pulls off some intricate, complicated choreography with the
characters and storylines. It all looks so easy, but at one point he is
juggling Martin at the bar, Frasier seating people, Roz and her date and Niles
and Daphne self-destructing in the kitchen all at once. Burrows has won 10
Emmys over the course of his career, and is it any wonder? With the possible
exception of William Asher, this man has given us more indelible comic
television images than any other, hands down. Looking down a list of his
credits is like looking through a slice of television history: “The Mary Tyler
Moore Show,” “Rhoda,” “Taxi,” “Cheers,” “NewsRadio,” Friends,” “Will &
Grace” … and those shows are just scratching the surface.
The episode is also notable because it is a true
ensemble act. No character is the main focus, but each one gets one of the
major climactic pay-offs. The restaurant goes into a brown-out when Niles drops
a toaster into the eel aquarium. Daphne grabs an eel by the tail and smashes it
on the counter. Roz explodes the cherries jubilee. And Frasier facilitates (and
watches in horror during) the aforementioned car crash. Any one of these
moments is good enough to make the episode memorable, but together they make it
great television.
“The Innkeepers” is available on the second season DVD of
“Frasier,” Amazon Prime, Hulu Plus (ugh), iTunes and Youtube.
This is one of my favorite sitcom episodes ever. No matter how many times i watch it, I always laugh when Daphne kills the ell and Roz walks into the kitchen after the jubilee explosion.
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