Original Airdate: March 2, 2004
Writer: Jane Espenson
Director: Marita Grabiak
Executive Producer: Amy Sherman-Palladino
Cast: Lauren Graham, Alexis Bledel, Kelly Bishop, Edward
Herrmann
“Gilmore Girls” was expert at making the ordinary seem
extraordinary. Simple conversations about a pen or a shoelace were regularly
turned into five minute monologues that served not only as a really good
illustration about why pens are so darn great, but also might serve as a metaphor
concerning the Clinton administration. If there is a consistent argumentative
point between those who love and loathe this series, it’s that “no one really
talks like that!”
Uh, duh.
But obviously there really isn’t a Hellmouth over some
town called Sunnydale either. And I’m fairly certain Carrie could never afford that
apartment and those shoes in Manhattan on her salary. Similarly, the
dialogue in “Gilmore Girls” is merely a fantastical element in a series
grounded in character and emotion. It’s more than just the speaking style of
“Bringing Up Baby” spread out over 178 hours of television: It’s the way the
characters combat one another and dance around their emotions because they are
not ready to process them. If you’ve seen more than one episode of the show,
you know there’s a much harder edge to the relationships than its detractors
believe. At its best, the dialogue crackles and the characters battle in the
same way characters do in a David Mamet play.
Seriously, that was her hair. |
“The Reigning Lorelai” was broadcast during a huge
transitory period for the show. Lorelai (Lauren Graham) and Luke (Scott
Patterson) were in awkward relationships that floundered with viewers. The
marriage between Emily (Kelly Bishop) and Richard (Richard Herrmann) was about
to hit the skids. Rory (Alexis Bledel) was beginning her studies at Yale (with
a haircut I’d rather not discuss) and the show groaned as it adjusted. And then
this masterpiece of an episode came along. If the show’s gift was making the
ordinary extraordinary, it became transcendent when something extraordinary
came along that the Gilmore clan had to deal with. Think about Rory’s car
accident in season two or Richard’s heart attack in season seven.
Here the Gilmore Matriarch, Lorelai “Trix” Gilmore
(Lorelai and Rory’s namesake), dies of a heart attack and the family must cope.
This being “Gilmore Girls,” no one copes very well. Lorelai has a verbal
vomit-fest in a lingerie shop after realizing she forgot to give the undertaker
underwear. Richard disintegrates into a robe-wearing, man-hugging mess. Rory
wonders if her non-reaction to the news means she’s a horrible person.
And then there’s Emily.
At first she seems to be handling the news better than
anyone else. As usual, she’s all business, trying to do right by the mother-in-law
she never liked and adhering to all of Trix’s intricate, complex funereal
instructions. But then Emily discovers a letter…a letter sent from Trix to
Richard the night before his wedding that begged him to reconsider marrying
Emily. The letter is very forceful (Lorelai: “Man, she sure used a lot of
exclamation points.”), and Emily immediately flies off the handle in a way the
audience had never seen before.
Emily’s emotional breakdown is brilliant and
gut-bustingly funny. She stops all funeral planning and decides it’s a great
time to catch up on her book club reading. She begins drinking, smoking and
starts saying things like:
“Throw the old harpy’s carcass in a ditch. Let a wolverine eat her.”
Or this:
“Personally, I think we should just toss some cheese cubes in the coffin, stuff some toothpicks in her mouth and let the people go to town!”
Okay, one more:
“You want a drink? Today, I learned how to make mojitos!”
Bishop takes Emily’s character all the way to the edge
of caricature, teeters on that edge for a bit, and then understood the exact
moment to reign it back in before she lost the audience.
Despite Emily’s arc, writer Jane Espenson knew not to
tilt the episode all the way into humor. There’s a beautiful moment, possibly
the most stripped-down of the entire series, where Lorelai first visits her
father after the news of Trix’s death hits. Richard is genuinely overcome with
grief and Lorelai is genuinely overcome by her inability to deal with her
father’s grief.
If there’s a weak point to the episode, it’s the
romantic interludes. Lorelai’s current beau Jason (Chris Eigeman) shows up to
talk about how he’s so emotionally stunted he cannot attend the funeral, and
there’s a subplot where Luke and Nicole (Tricia O’Kelley) fight for what seems like
five minutes of screen time. I’d gladly trade these scenes in for one small
scene where Luke tells Lorelai he’s sorry about her loss, but that was not to
be.
Each of the Gilmore family gets to interact one-on-one
for at least one small scene here, and my favorite is the one between Rory and
Richard. Rory’s relationship with her grandfather was always the most unforced
in the show; the actors had an easy chemistry with one another and you got the
feeling that the scenes wrote themselves (speaking as a writer, this is
obviously not true, but it still feels that way). In this scene, Rory helps
Richard with his bow-tie and Richard talks about how he could never again wear
the same suit he wore to the funeral of his father. It’s beautiful, understated
and heartbreaking all at once – a “Gilmore Girls” trademark (okay, trade
“overstated” for “understated” and it’s a “Gilmore Girls” trademark).
Watching the episode again, I must say I was shocked
that it was not written by creator/showrunner Amy Sherman Palladino or her
husband Daniel Palladino (a vast majority of seasons 1-6 were written by one or
the other). For a show with such a particular voice, Espenson matches it
marvelously. “The Reigning Lorelai” represents the moment “Gilmore Girls” got
its mojo back, seeming to re-energize the series all the way to its crackerjack
season finale (that’s the one where Lorelai opens the Dragonfly Inn and finally
makes out with Luke). This will certainly not be the last entry I write about
the show, which is one of the reasons I wanted to become a writer in the first
place.
HBO's girls season 3 dvd box set is welcomed by all the tv fans , Jennifer Westfeldt, known to jealous women everywhere as the gal who's romantically attached to "Mad Men" star Hamm, has booked an appearance on the HBO series, the premium cable network told TheWrap on Tuesday.
ReplyDeletegirls season 3 dvd box set is adding another guy to its cast, tapping Boardwalk Empire‘s Michael Zegen for a potentially recurring Season 3 stint.HBO's girls season 3 dvd is getting a little extra oomph for its third season, in the form of Jon Hamm's gal.